Articles and Books: International Journals: Vermeir, Koen. (2014) 'Varieties of Wonder. John Wilkins' mathematical magic and the perpetuity of invention' in Historia Mathematica, 41 (4) (ISSN: 0315-0860) (with Maarten Van Dyck). [2] Vermeir, Koen. (2013) ‘Scientific Research: Commodities or Commons?’ in Science & Education, 22 (10), 2485-2510 [3] Vermeir, Koen (2012) ‘Mise en image du spectacle et spectacularisation de l’image à l’âge baroque’ in Degrés. Revue de synthèse à orientation sémiologique, 40 (151), c1-c14 (with Ralph Dekoninck, Maarten Delbeke, Annick Delfosse). Vermeir, Koen. (2012) ‘The Dustbin of the Republic of Letters’ in The Journal of Early [4] Modern Studies, 1 (1), 109-149 Vermeir, K. (2012) ‘Castelli in aria: immaginazione e Spirito della Natura in Henry More’ [5] in LoSguardo, 10 (3), 99-122. [6] Vermeir, K. (2012) ‘Malebranche et les pouvoirs de l’imagination’ in Rivista di Storia della Filosofia. (With R. Carbone), 67(4), 661-669. [7] Vermeir, K. (2012) ‘Idols of the Imagination: Francis Bacon on the Imagination and the Medicine of the Mind’ in Perspectives on Science, 20 (2), 183-206. (With S. Corneanu) [8] Vermeir, K. (2012) ‘States of Secrecy’ in British Journal for the History of Science, 45 (2), 153-164. (With D. Margocsy) [9] Vermeir, K. (2012) ‘Openness versus Secrecy? Some historical and conceptual issues’ in British Journal for the History of Science, 45 (2), 165-188. [10] Vermeir, K. (2009) ‘De familie der wetenschappen. Van een wittgensteiniaanse naar een procedurele analyse van het demarcatieprobleem’ [‘The Family of Sciences. ‘A Wittgensteinean Analysis of the Demarcation Problem’] in Tijdschrift voor Filosofie, 71, 119-145. [11] Vermeir, K. (2008) ‘Robocop Dissected: man-machine and the mind-body problem in the Enlightenment’ in Technology and Culture, 49, 1036-1044. [12] Vermeir, K. (2008) ‘Imagination between Physick and Philosophy. On the Central Role of the Imagination in the Work of Henry More (1614-1687).’ in Intellectual History Review, 18 (1), 119-137. [13] Vermeir, K. (2007) ‘Athanasius Kircher’s Magical Instruments: An Essay on Science, Religion and Applied Metaphysics (1602–1680).’ in Studies in History and Philosophy of Science, 38 (2), 363-400. [14] Vermeir, K. (2006) ‘A demarkációs probléma felelevenítése’ [‘The Demarcation Problem Revisited’] (trans. Koronczay Dávid and Zelei Borbála) in Replika - Social Science Quarterly, nr. 54-55, 125-156. (ISSN: 0865-8188). (Special issue on demarcation, with other contributions by Steven Shapin, Thomas Gieryn, Jane Gregory and Steve Miller.) [15] Vermeir, K. (2005) ‘The Magic of the Magic Lantern (1660-1700). On Analogical Demonstration and the Visualisation of the Invisible’ in The British Journal for the History of Science, 38 (2), 127-159. Vermeir, K. (2005) ‘The ‘Physical Prophet’ and the Powers of the Imagination. Part II. A [16] case-study on dowsing and the naturalisation of the moral (1685-1710)’ in Studies in History and Philosophy of Science, 36C (1), 1-24. th [17] Vermeir, K. (2004) ‘Mirror, mirror, on the wall... on the aesthetics and metaphysics of 17 century scientific/artistic spectacles’ in Kritische Berichte, Zeitschrift für Kunst- und Kulturwissenschaften, 32 (2), 27-38. [1] [18] Vermeir, K. (2004) ‘The ‘Physical Prophet’ and the Powers of the Imagination. Part I. A case-study on prophecy, vapours and the imagination (1685-1710)’ in Studies in History and Philosophy of Science, 35C (4), 561-591. Articles in Peer Reviewed International Collections: Vermeir, K. (forthcoming 2014) ‘Die Wiederherstellung von Pluto. Theatralität in alchemistischen Praktiken der Frühen Neuzeit’ in H. Schramm, L. Schwarte and M. Lorber (eds.) Spuren der Avantgarde: Theatrum alchemicum. Berlin: De Gruyter. [2] Vermeir, K. (2014) ‘Tout dépend des circonstances. Superstition, lois de la nature et dissolution du préternaturel au tournant du XVIIIe siècle’ in Olivier Christin, Fabrice Flückiger, and Naima Ghermani (eds.), Marie mondialisée: penser le surnaturel à l'époque moderne. Neuchâtel: Alphil. [3] Vermeir, K. (2014) ‘Guérir ceux qui ont la foi. Le mesmérisme et l'imagination historique ’ in B. Belhoste and N. Edelman (ed.) Le Mesmérisme en Contexte. Paris: Sorbonne University Press. [4] Vermeir, K. (2013) ‘Mechanical Philosophy in an Enchanted World. Cartesian Empiricism in Balthasar Bekker’s Radical Reformation’ in Mihnea Dobre and Tammy Nyden (eds.) Cartesian Empiricisms. New York: Springer, 275-306. [5] Vermeir, K. (2013) ‘Philosophy and Genealogy. Ways of writing the history of philosophy’ in Mogens Lærke, Eric Schliesser, and Justin E. H. Smith (eds.), Philosophy and Its History: New Essays on the Methods and Aims of Research in the History of Philosophy. Oxford: Oxford University Press. 50-70. [6] Vermeir, K. (2012) ‘“Bent and Directed towards Him”. Kircher’s sunflower clock seen from a baroque perspective’ in O. Gal and C. Raz (eds.) Science in the Age of Baroque. International Archives of the History of Ideas. New York: Springer, 37-65. [7] Vermeir, K. (2012) ‘Preface: Edmund Burke’s Philosophical Enquiry in context, 250 years later’ in The Science of Sensibility. Reading Edmund Burke’s Philosophical Enquiry. International Archives of the History of Ideas. New York: Springer Publishers (with M. Deckard), v–xx. (ISBN 987-94-007-2101-2) [8] Vermeir, K. (2012) ‘Enquiries into the Science of Sensibility’ in The Science of Sensibility. Burke’s Philosophical Enquiry in Context. Reading Edmund Burke’s Philosophical Enquiry. International Archives of the History of Ideas. New York: Springer Publishers (with M. Deckard), 3-56 (ISBN 987-94-007-2101-2). [9] Vermeir, K. (2012) ‘Vampires as “creatures of the imagination” in the Early Modern Period’ in Y. Haskell (ed.) Diseases of the Imagination and Imaginary Disease in the Early Modern Period. Turnhout: Brepols Publishers. 341-373. (ISBN 978-2-503-527963). [10] Vermeir, K. (2011) ‘Waren oder Wahrheit? Wissenschaftliche Forschung als Ökonomie des Schenkens’ in Ch. Krijnen, Ch. Lorenz, J. Umlauf (eds.) Wahrheit oder Gewinn?: Über die Ökonomisierung von Universität und Wissenschaft. Königshausen & Neumann. 133-157. (ISBN 978-3-8260-4528-8). [11] Vermeir, K. (2011) ‘Circulating knowledge or superstition? The Dutch Debate on Divination (1696-1717)’ in S. Dupré and C. Lüthy (eds.) Silent Messengers. Knowledge [1] Affairs in the Early Modern Low Countries. Berlin/Zürich/Vienna: LIT Verlag. 293-328 (ISBN 978-3-8258-1635-3) [12] Vermeir, K. (2009) ‘Wonder, Magic and Natural Philosophy. The disenchantment thesis revisited.’ in M. Deckard and P. Losonczi (eds.) Philosophy Begins in Wonder. Eugene: Wipf and Stock. 43-71. [13] Vermeir, K. (2006) ‘The Reality of Failure. On the interpretation of success and failure in (the history and philosophy of) science and technology’ in S. Zielinski and D. Link (eds.) Variantology II. On Deep Time Relations of Arts, Sciences and Technologies. Cologne: Walter König. 335 - 360. (ISBN10: 3-86560-050-6; ISBN13: 978-3-86560-050-9) [14] Vermeir, K. (2006) ‘The imagination as medium - on the history of creativity, madness and the arts’ in T. Hensel, H.U. Reck, S. Reither and S. Zielinski (eds.) Immer wieder weiter. Lab – Jahrbuch für Künste und Apparate. Cologne: W. König. 109-125. [15] Vermeir, K. (2005) ‘The Hidden History of the Cyborg. A Historio-Philosophical Essay on the Magic of Technology’ in S. Zielinski and S. Wagnermaier (eds.) Variantology I. On deep time relations of arts, sciences and technologies. Cologne: W. König. 223-246. (ISBN: 3-88375-914-7) Publications in Conference Proceedings, Art Catalogues, National Journals or Collections: Vermeir, K. (2013) ‘Statement: What kind of management suits science best?’ in Bernd Henningsen, Jürgen Schlaeger and Heinz-Elmar Tenorth (eds.) Humboldt's Model. The Future of Universities in the World of Research. Berliner Wissenschafts-Verlag, Berlin, 143-147 (ISBN 978-3-8305-3208-8). [2] Vermeir, K. (2012) ‘Optical Instruments in the Service of God: Light metaphors for the circulation of Jesuit knowledge in China’ in Roca-Rosell, A. (ed.). The Circulation of Science and Technology: Proceedings of the 4th International Conference of the ESHS. Barcelona: SCHCT-IEC, p. 333-337. [3] Vermeir, K. (2012) ‘The Culture of Immortality: science, immortality and the good life.’ In In-Residence Magazine. The European Biennial of Contemporary Art: Manifesta 9, Spring 2012, 80-81 (ISBN 9789081914703). [4] Vermeir, K. (2011) ‘Vooraf’ in Deus ex Machina, 137, 1-2. [5] Vermeir, K. (2011) ‘Lucy in vermomming met diamanten: subjectiviteit en objectiviteit in de wetenschappen en de kunsten’ in Deus ex Machina, 137, 26-34. [6] Vermeir, K. (2010) ‘Vampirisme, corps mastiquants et la force de l’imagination : Analyse des premiers traités sur les vampires (1659-1755)’ in Camenae, 12 (numéro sur la Fantaisie sous la dir. de C. Pigné) (ISSN 2102-5541) ** New Scientists article (29/01/2011) about this research ** [7] Vermeir, K. (2010) ‘The markets and design’ in DESIGN MASS, Onomatopee 36, 67-86. (ISBN 9-789078-454540) [8] Vermeir, K. (2010) ‘Notes on design and technological determinism’ in DESIGN MASS, Onomatopee 36, 87-98. (ISBN 9-789078-454540) [1] Vermeir, K. (2010) ‘Impossible instruments and technological determinism’ in DESIGN MASS, Onomatopee 36, 99-110. (ISBN 9-789078-454540) [10] Vermeir, K. (2010) 'Objectiviteit: een historische epistemologie' [‘Objectivity: A Historical Epistemology] in Karakter, 27 (3), 16-8 (ISSN 1379-0390). [11] Vermeir, K. (2010) ‘Historical Epistemology’ in The Reasoner. 4 (1), 10-12. [W] [12] Vermeir, K. (2009) ‘Manager of Universitas? Wetenschappen in de laatmoderne maatschappij.’ [‘Manager or Universitas? The sciences in the late-modern society’] In Karakter. Tijdschrift voor Wetenschap, 26, 25-27 (ISSN 1379-0390). [13] Vermeir, K (2007) ‘Science on Trial’ in Preprints in Analytic Philosophy, 9, 1-23. [14] Vermeir, K. (2006) ‘Kunst, en haar nieuwe flirts met ‘het politieke’’ [‘Art, and its new flirts with ‘the political’’] in DWB, 151 (2), 305-320. [15] Vermeir, K. (2006) ‘Een nieuwe dimensie voor kunst en politiek?’ [A New Dimension for Art and Politics?] in S. Leyssen, K. Vandeputte, B. Vandenabeele and K. Vermeir (eds.) De nieuwe politieke dimensie van de kunsten. Budel: Damon. 5-24. [16] Vermeir, K. (2005) ‘Magical Science or Scientific Magic? Rationality & Irrationality and the Magic & Science debate from a Historical and Philosophical Perspective’ in EASST Review, 24 (2/3), 15-17. [17] Vermeir, K. (2004) ‘De Film en zijn Museum. Over de esthetiek van het verleden’ [Film and its Museum. On the Aesthetics of the Past] in B. Vandenabeele and K. Vermeir (eds.) Transgressie in de Kunst. Budel: Damon. (with S. Leyssen). 46-62. [18] Vermeir, K. (2004) ‘Kunst, transgressie en de grenzen van de tijd-ruimte’ [Art, Transgression and the Limits of Space-Time] in B. Vandenabeele and K. Vermeir (eds.) Transgressie in de Kunst. Budel: Damon. (with B. Vandenabeele). 5-10. [19] Vermeir, K. (2004) ‘Gekke Dichters. Een historisch filosofisch essay over verbeelding, waanzin en creativiteit’ [Mad Poets. An historical-philosophical essay on imagination, madness and creativity] in Deus ex Machina, 28 (108), 75-81. [Flemish Fund for Literature] [20] Vermeir, K. (2003) ‘Kircher’s Magic Lantern Reconsidered’ in J. Frow (ed.) Visual Knowledges. Edinburgh: Edinburgh University Press, 1-7. (ISBN 0 9532713 3 1) [21] Vermeir, K. (2003) ‘Kijken naar de sterren… Een wetenschapshistorische analyse van gemedieerde zintuiglijkheid’ [Looking at the Stars… An Analysis of Mediated Perceptions from the Perspective of History of Science] in B. Vandenabeele and K. Vermeir (eds.) (2003) Gemedieerde Zintuiglijkheid. Budel: Damon. 113-128. [22] Vermeir, K. (2003) ‘Gemedieerde zintuiglijkheid in ‘esthetisch’ perspectief’ [Mediated Sensibility in an ‘Aesthetic’ Perspective] in B. Vandenabeele and K. Vermeir (eds.) (2003) Gemedieerde Zintuiglijkheid. Budel: Damon. 7-12. (with B. Vandenabeele). [23] Vermeir, K. (2002) ‘Van alchemist tot gentleman: empirie in de wetenschappen’ [From the Alchemist to the Gentleman: Empiricism in the Sciences] in R. Bartsch (ed.) Filosofie & Empirie. Amsterdam: University of Amsterdam. 77-91. [24] Vermeir, K. (2001) ‘De moeizame verhouding van filosofie en ICT’ [The Difficult Relationship between Philosophy and ICT] in Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 92 (2), 146-149. (with T. Reydon). [NAT/C] [9] Books: K. Vermeir (eds.) (2012) Malebranche et l’imagination puissante. Special Issue for Rivista di Storia della Filosofia (4). (With R. Carbone) [2] K. Vermeir (eds.) (2012) States of Secrecy. From Alchemy to the Atomic Bomb. Special Issue of British Journal for the History of Science. (With D. Margocsy) [3] K. Vermeir (eds.) (2012) The Science of Sensibility. Reading Edmund Burke’s Philosophical Enquiry. International Archives of the History of Ideas. New York: Springer (with M. Deckard). [4] K. Vermeir (eds.) (2011) Spelende Geesten. Essays over Kunst en Wetenschap. [Playing Minds. Essays on Art and Science]. Double special issue of Deus ex Machina. Nr. 137, June 2011. (161 p). [5] K. Vermeir (eds.) (2006) De nieuwe politieke dimensie van de kunsten. Jaarboek voor Esthetica 2005. [The New Political Dimension of the Arts. Annual of Aesthetics 2005]. Netherlands: Damon publishers. ISBN: 905573683x (with S. Leyssen, K. Vandeputte, B. Vandenabeele). (169 p.) [6] K. Vermeir (2005) Magical Science or Scientific Magic? The Magic and Science debate from a Historical and Philosophical Perspective. University of Leuven. (401 p.) [7] K. Vermeir (eds.) (2004) Transgressie in de Kunst. Jaarboek voor Esthetica 2004. [Transgression in Art. Annual of Aesthetics 2004]. Netherlands: Damon publishers. ISBN: 90 5573 576 0 (with B. Vandenabeele). [8] K. Vermeir (eds.) (2003) Gemedieerde Zintuiglijkheid. Jaarboek voor Esthetica 2003. [Mediated Perceptions. Annual of Aesthetics 2003]. Netherlands: Damon publishers. ISBN: 90 5573 407 1 (with B. Vandenabeele). [1]